Lady In the Water, Watch this Movie and I want know your Comments :)
Saturday, August 12, 2006
Friday, August 11, 2006
India Film
India Film sometimes I got confused India Film or Indian Film
But I excited India film now spread world wide , is india Film has top ranking in your country ??
But I excited India film now spread world wide , is india Film has top ranking in your country ??
India Film
India Film sometimes I got confused India Film or Indian Film
But I excited India film now spread world wide , is india Film has top ranking in your country ??
But I excited India film now spread world wide , is india Film has top ranking in your country ??
I am Fine (review)
Latest review Film " I AM FINE "
Tracking Shots
Everybody Says I'm Fine
by David Blaylock
August 30th, 2004 4:30 PM
Hairdresser Xen (Rehaan Engineer) has had a gift since he stood in a soundproof recording-studio booth and watched his parents die (at the hands of bad Indian rap, it seems), and now he's become a confidant and protector to his unknowing clientele. While Bombay socialites and poseurs gossip at his salon, the benign man cutting their hair hears their innermost thoughts. Xen's power is inanely depicted (he stares into the distance and cuts in slow motion when his sixth sense takes charge), but writer-director Bose shows depth when he deals directly with Xen's loneliness. The scenes that show him after-hours, as he gazes yearningly at the nightclub patrons across the street, are especially moving.
Tracking Shots
Everybody Says I'm Fine
by David Blaylock
August 30th, 2004 4:30 PM
Hairdresser Xen (Rehaan Engineer) has had a gift since he stood in a soundproof recording-studio booth and watched his parents die (at the hands of bad Indian rap, it seems), and now he's become a confidant and protector to his unknowing clientele. While Bombay socialites and poseurs gossip at his salon, the benign man cutting their hair hears their innermost thoughts. Xen's power is inanely depicted (he stares into the distance and cuts in slow motion when his sixth sense takes charge), but writer-director Bose shows depth when he deals directly with Xen's loneliness. The scenes that show him after-hours, as he gazes yearningly at the nightclub patrons across the street, are especially moving.
I am Fine (review)
Latest review Film " I AM FINE "
Tracking Shots
Everybody Says I'm Fine
by David Blaylock
August 30th, 2004 4:30 PM
Hairdresser Xen (Rehaan Engineer) has had a gift since he stood in a soundproof recording-studio booth and watched his parents die (at the hands of bad Indian rap, it seems), and now he's become a confidant and protector to his unknowing clientele. While Bombay socialites and poseurs gossip at his salon, the benign man cutting their hair hears their innermost thoughts. Xen's power is inanely depicted (he stares into the distance and cuts in slow motion when his sixth sense takes charge), but writer-director Bose shows depth when he deals directly with Xen's loneliness. The scenes that show him after-hours, as he gazes yearningly at the nightclub patrons across the street, are especially moving.
Tracking Shots
Everybody Says I'm Fine
by David Blaylock
August 30th, 2004 4:30 PM
Hairdresser Xen (Rehaan Engineer) has had a gift since he stood in a soundproof recording-studio booth and watched his parents die (at the hands of bad Indian rap, it seems), and now he's become a confidant and protector to his unknowing clientele. While Bombay socialites and poseurs gossip at his salon, the benign man cutting their hair hears their innermost thoughts. Xen's power is inanely depicted (he stares into the distance and cuts in slow motion when his sixth sense takes charge), but writer-director Bose shows depth when he deals directly with Xen's loneliness. The scenes that show him after-hours, as he gazes yearningly at the nightclub patrons across the street, are especially moving.
Jokes today
1. People think everything today is too commercialized, but it's always been that way. Did you know that after he signed the Declaration of Independence, John Hancock landed a big endorsement contract with a quill pen company?
American Funniest Video
American Funniest Video, my favorite TV Program is American Funniest Video
You can laugh like crazy watching American Funniest Video
You can laugh like crazy watching American Funniest Video
Are you Funny
Are you Funny, how do you think about yourself ??? are funny ? good if you can make other people smile you will Bless with God :)
Buy old Humour Comics
Buy old Humour Comics, Today I buy old Humor Comics less than $1 and make me laughing :)
Thursday, August 10, 2006
"Batman" Goes for "Brokeback" E! Online - Tue Aug 1, 5:02 PM ET Warner Bros. confirmed Monday that Heath Ledger will be playing the Joker in The
"Batman" Goes for "Brokeback"
E! Online - Tue Aug 1, 5:02 PM ET
Warner Bros. confirmed Monday that Heath Ledger will be playing the Joker in The Dark Knight, the next installment of the rejuvenated Batman franchise.
E! Online - Tue Aug 1, 5:02 PM ET
Warner Bros. confirmed Monday that Heath Ledger will be playing the Joker in The Dark Knight, the next installment of the rejuvenated Batman franchise.
Robin Williams is interviewed
Robin Williams is interviewed at the premiere of 'RV' at the Mann Village theatre in...
Wednesday, August 09, 2006
DVD Series Harry Potter
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Harry Potter (1)
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Movie Harry Potter
Movie Harry Potter
The Ant Bully (2)
Movie 
Meet Lucas "Peanut" Nickle (voice of Zach Tyler), a stereotypical nerd. Mercilessly picked on by neighborhood bullies, he takes out his frustration on the ants inhabiting his front lawn, stomping on them and flooding their underground caverns with water from the hose. Little does Lucas know that ants aren't mindless drones - they're thinking creatures that speak with the voices of Julia Roberts Nicolas Cage, Bruce Campbell, Regina King, Ricardo Montalban (who fails to mention "rich Corinthian leather" even once), and Meryl Streep. When the wizard Zoc (Cage) discovers a miniaturizing potion and pours it in Lucas' ear, he's diminished to ant-size faster than you can say, "Honey, I shrunk the kid!" He then learns lessons about teamwork, diversity, and friendship from his mentor, Hova (Roberts), and her companions, Kreela (King) and Fugax (Campbell). This prepares him for a showdown with the Exterminator (Paul Giamatti).
If your child is in need of sermons about the importance of being kind to others, the value of diversity, and the merits of teamwork, The Ant Bully is a perfect choice. Like a preacher on speed, it never stops pounding the pulpit. (Alternative, probably unintentional message: Ants are our friends. We shouldn't step on them.) Since small children are easily bored by prattling characters, even when they're animated to look like bugs, there are plenty of inane action sequences that seem better suited as patterns for a video game than a movie. (Avoid the leaping frog! Dodge the flying insect! Outrun the Exterminator's toxic spray! Paraglide across the living room and nab a jellybean!). Six year olds may be enthralled; older viewers will be fighting the urge to take a nap.
This is a comedown for director John A. Davis, whose previous feature, Jimmy Neutron: Boy Genius, at least had the quality of being clever. Despite the inanity of the script, Davis corralled a group of high-profile Hollywood stars to provide voices. Roberts (doing her first post-pregnancy work), Cage, Streep, and Giamatti have the most visible names but, perhaps unsurprisingly, it's Bruce Campbell who provides The Ant Bully with its only juice. As the swaggering Fugax, Campbell's animated alter-ego is a perfect extension of the actor's usual screen persona. Curiously, Davis went with little-known Zach Tyler in the lead role, rather than, say, recruiting Dakota Fanning and asking her to talk like a boy.
The Ant Bully is representative of a new, cynical mindset that has arisen amongst animated film distributors. Call it the Field of Dreams mentality: if you make it, they will come. Why bother with wit, intelligence, and emotion when children will be equally entertained by pretty images, colorful action, and the obligatory poop joke? (In this instance, it occurs when poor Lucas is getting his first taste of ant food.) It's depressing to see how far animated films have fallen in such a short time. Was it only two years ago that The Incredibles were flying? Or three years ago that Nemo was swimming? Now we're stuck with a personality-deprived kid shrunk so he can inhabit a world populated by a bunch of plastic ants. Forget Paul Giamatti. Someone call the Orkin Man.
© 2006 James Berardinelli
Meet Lucas "Peanut" Nickle (voice of Zach Tyler), a stereotypical nerd. Mercilessly picked on by neighborhood bullies, he takes out his frustration on the ants inhabiting his front lawn, stomping on them and flooding their underground caverns with water from the hose. Little does Lucas know that ants aren't mindless drones - they're thinking creatures that speak with the voices of Julia Roberts Nicolas Cage, Bruce Campbell, Regina King, Ricardo Montalban (who fails to mention "rich Corinthian leather" even once), and Meryl Streep. When the wizard Zoc (Cage) discovers a miniaturizing potion and pours it in Lucas' ear, he's diminished to ant-size faster than you can say, "Honey, I shrunk the kid!" He then learns lessons about teamwork, diversity, and friendship from his mentor, Hova (Roberts), and her companions, Kreela (King) and Fugax (Campbell). This prepares him for a showdown with the Exterminator (Paul Giamatti).
If your child is in need of sermons about the importance of being kind to others, the value of diversity, and the merits of teamwork, The Ant Bully is a perfect choice. Like a preacher on speed, it never stops pounding the pulpit. (Alternative, probably unintentional message: Ants are our friends. We shouldn't step on them.) Since small children are easily bored by prattling characters, even when they're animated to look like bugs, there are plenty of inane action sequences that seem better suited as patterns for a video game than a movie. (Avoid the leaping frog! Dodge the flying insect! Outrun the Exterminator's toxic spray! Paraglide across the living room and nab a jellybean!). Six year olds may be enthralled; older viewers will be fighting the urge to take a nap.
This is a comedown for director John A. Davis, whose previous feature, Jimmy Neutron: Boy Genius, at least had the quality of being clever. Despite the inanity of the script, Davis corralled a group of high-profile Hollywood stars to provide voices. Roberts (doing her first post-pregnancy work), Cage, Streep, and Giamatti have the most visible names but, perhaps unsurprisingly, it's Bruce Campbell who provides The Ant Bully with its only juice. As the swaggering Fugax, Campbell's animated alter-ego is a perfect extension of the actor's usual screen persona. Curiously, Davis went with little-known Zach Tyler in the lead role, rather than, say, recruiting Dakota Fanning and asking her to talk like a boy.
The Ant Bully is representative of a new, cynical mindset that has arisen amongst animated film distributors. Call it the Field of Dreams mentality: if you make it, they will come. Why bother with wit, intelligence, and emotion when children will be equally entertained by pretty images, colorful action, and the obligatory poop joke? (In this instance, it occurs when poor Lucas is getting his first taste of ant food.) It's depressing to see how far animated films have fallen in such a short time. Was it only two years ago that The Incredibles were flying? Or three years ago that Nemo was swimming? Now we're stuck with a personality-deprived kid shrunk so he can inhabit a world populated by a bunch of plastic ants. Forget Paul Giamatti. Someone call the Orkin Man.
© 2006 James Berardinelli
Ant Bully
Ant Bully, The
A Film Review by James Berardinelli 2 stars
United States, 2006
U.S. Release Date: 7/28/06 (wide)
Running Length: 1:23
MPAA Classification: PG (Naked digitally animated butt)
Theatrical Aspect Ratio: 1.85:1
Cast (voices): Zach Tyler, Julia Roberts, Nicolas Cage, Bruce Campbell, Regina King, Paul Giamatti, Ricardo Montalban, Meryl Streep, Lily Tomlin, Cheri Oteri, Larry Miller
Director: John A. Davis
Screenplay: John A. Davis, based on the book by John Nickle
Music: John Debney
U.S. Distributor: Warner Brothers
The Ant Bully is a sore disappointment to anyone hoping for a turnaround to the recent downward quality spiral of animated films. In fact, this movie may represent a new nadir for 3D animation. Although it's pretty enough to look at (although nowhere near as exquisitely rendered as Pixar's Cars), the storyline - a cobbled-together stew of moralizing and pointless action sequences - is an insult to anyone with more than a second-grade education. Young kids may find The Ant Bully appealing, but nearly everyone else, including parents forced to sit through the movie, will understand the difference between a "family film" and a "children's film," and why this picture belongs in the latter category. How I long for the days of quality insect-oriented animated entertainment like Antz and A Bug's Life.
Tuesday, August 08, 2006
Chronicles Of Narnia
Chronicles Of Narnia, The: The Lion, The Witch And The Wardrobe (2005),Review send it
Anthony Zimmer
Who is Anthony Zimmer? The new film from screenwriter Jérôme Salle, who makes his directorial debut on this picture, is named after a man that we will not see for most (if any) of this mystery’s fast-paced 90 minutes. The mystery of Anthony Zimmer is just that: who is he? The police, led by a stern-looking Akkerman (Sami Frey), know that he is one of the world’s biggest money launderers but they would not know him from Adam if he stood in front of them. Zimmer almost continuously undergoes aesthetic surgery and often has his vocal cords operated on to change his voice. Akkerman has one lead: Chiara Manzoni (a positively sexy Sophie Marceau) the beautiful woman who is Zimmer’s weak spot and whom, the police suspect, he will try to contact again sooner or later.
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Rankings of American/Hollywood (Domestic) Box-Office Blockbusters have been compiled
Reviews Movies
Reviews Movies
Video Superman Returns clip1
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Adventures of Superman
Adventures Of Superman: The Complete First Season (1952)
Have you heard from your Grand Pa, Talking about Superman :), Ask them about ADVENTURES of SUPERMAN ,you can check it out on DVD Store
Have you heard from your Grand Pa, Talking about Superman :), Ask them about ADVENTURES of SUPERMAN ,you can check it out on DVD Store
The Adventures of Superman
The Adventures of Superman, The Complete Third and Fourth Season DVD website is the ultimate online flash destination for information about the very first ...
the Man of Steel comes back
Movie ,
SUPERMAN RETURN,
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure, Superman Returns, a soaring new chapter in the saga of one of the world’s most beloved superheroes. While an old enemy plots to render him powerless once and for all, Superman faces the heartbreaking realization that the woman he loves, Lois Lane, has moved on with her life. Or has she? Superman’s bittersweet return challenges him to bridge the distance between them while finding a place in a society that has learned to survive without him. In an attempt to protect the world he loves from cataclysmic destruction, Superman embarks on an epic journey of redemption that takes him from the depths of the ocean to the far reaches of outer space.
SUPERMAN RETURN,Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure, Superman Returns, a soaring new chapter in the saga of one of the world’s most beloved superheroes. While an old enemy plots to render him powerless once and for all, Superman faces the heartbreaking realization that the woman he loves, Lois Lane, has moved on with her life. Or has she? Superman’s bittersweet return challenges him to bridge the distance between them while finding a place in a society that has learned to survive without him. In an attempt to protect the world he loves from cataclysmic destruction, Superman embarks on an epic journey of redemption that takes him from the depths of the ocean to the far reaches of outer space.
“Even though you've been raised as a human being you're not one of them.
Movie,
Moview Reviews Superman Return “Even though you've been raised as a human being you're not one of them.
They can be a great people, Kal-El. They wish to be. They only lack the light to show the way.
For this reason above all – their capacity for good – I have sent them you... my only son.” – Jor-El
Moview Reviews Superman Return “Even though you've been raised as a human being you're not one of them.
They can be a great people, Kal-El. They wish to be. They only lack the light to show the way.
For this reason above all – their capacity for good – I have sent them you... my only son.” – Jor-El
Superman Return -review
Movie 
Moview Reviews of SUPERMAN RETURN
You are bound to leave Superman Returns buzzing about "the scene." It's our first real glimpse in the film of the Man of Steel in action, the first genuine indication that the spandex-clad savior has, indeed, returned.
Here's setting for the scene: Intrepid Daily Planet reporter Lois Lane (Kate Bosworth), now a Pulitzer Prize winner, is covering a groundbreaking, mid-air shuttle launch. The spacecraft is poised to detach from a jumbo jet miles over the East coast and continue its jaunt through the stratosphere. But a massive power outage caused by Lex Luthor (Kevin Spacey) prevents a smooth transition, so Superman (newcomer Brandon Routh) must quickly separate the speeding crafts, catapult the rocket through the stars, then rush back to earth to catch the now-burning airliner before it lands on the pitcher's mound of a populated baseball diamond.
The sequence is mindblowing. It's the sole reason some will pay extra to see Superman Returns on an IMAX screen. And it's the culmination of a brilliant first act, which begins with John Williams' triumphant score blasting behind imaginative opening credits and reintroduces a universe created in vintage comic books and best realized by the first two Superman movies in 1978 and 1980.
It also occurs way too early - roughly 30 minutes into this 157-minute marathon - and the picture basically levels off to a steady jog from that point forward. There's a reason roller-coaster designers don't put the biggest drops in the opening stretch of track. Gaining momentum seems easy for Superman Returns. Sustaining it is another story.
The movie still soars, mainly because director Bryan Singer shows immense respect for his source material, a dedication that elevated his two X-Men movies. He follows a blueprint established by the earlier Superman films, Richard Donner's masterful origin story and Richard Lester's adventurous sequel. In the character's cinematic timeline, Singer's story occurs after Superman II but wisely pretends the ill-conceived third and fourth films never happened.
After a five year absence, Superman and his alter-ego Clark Kent have come back to Metropolis to find that the world has moved on. In a sense, everything has changed. Martha Kent (Eva Marie Saint) is widowed. Lane has a steady beau (James Marsden) and a five-year-old son (Tristan Lake Laebu). And yet, some things never change: Free from prison, Luthor recruits another bumbling crew to hatch a land-grab scheme that could sink a massive chunk of North America.
Singer thinks big, and his creative team delivers. The director's budget reportedly ballooned, but it is, for the most part, money well spent. The production design is exquisite. Singer catches breathless aerial shots of Superman soaring through sun-drenched clouds and coal-black space. Metropolis is a fully realized location, not a chintzy cityscape in a studio back lot. Equal attention is paid to the Kent farm, the Fortress of Solitude, and the inner bowels of the Daily Planet.
Top talk revolves around the effects, mainly because they're more important than the cast. Routh is a find, a ringer for Christopher Reeve who has a light comedic touch that's evident in his Clark scenes. Bosworth isn't right for her role. She's squeaky clean in places Lois is programmed to be conniving and career-oriented. Frank Langella is underused as Perry White, Parker Posey is overused as Luthor's right-hand lady, and Marsden is more personable than I can ever remember.
Singer's reverence for Donner's vision damages Returns in one crucial manner - no matter how he is performed (and it's usually for comic relief), Luthor always makes for a terrible on-screen villain. It's wasn't Gene Hackman's fault, and it isn't Spacey's. The actor plays the criminal mastermind with sinister confidence. But Luthor's grand plan sets up an anti-climactic finale that forces the picture to fade out instead of ending on a bang. In between, Superman skips through minor action scenes that fail to measure up with the almighty shuttle rescue.
Yes, this keeps in line with Superman's wholesome legacy. Regular readers of D.C. Comics understand that Kal-El's commitment to truth, justice, and the American way made him a muscular Boy Scout, particularly when compared to Batman, his unofficial counterpart. Despite an ability to bend steel, Superman typically bends to the will of his love interest, Lois. And with a dollop of Kryptonite, enemies can ensure he'll be as tough as a toddler in no time. In this aspect, Returns is extremely faithful to the hero's roots. But after five feature-length films, I think fans are ready to see Superman at full strength. Singer and his crew must be saving it for their sequels.
Moview Reviews of SUPERMAN RETURN
You are bound to leave Superman Returns buzzing about "the scene." It's our first real glimpse in the film of the Man of Steel in action, the first genuine indication that the spandex-clad savior has, indeed, returned.
Here's setting for the scene: Intrepid Daily Planet reporter Lois Lane (Kate Bosworth), now a Pulitzer Prize winner, is covering a groundbreaking, mid-air shuttle launch. The spacecraft is poised to detach from a jumbo jet miles over the East coast and continue its jaunt through the stratosphere. But a massive power outage caused by Lex Luthor (Kevin Spacey) prevents a smooth transition, so Superman (newcomer Brandon Routh) must quickly separate the speeding crafts, catapult the rocket through the stars, then rush back to earth to catch the now-burning airliner before it lands on the pitcher's mound of a populated baseball diamond.
The sequence is mindblowing. It's the sole reason some will pay extra to see Superman Returns on an IMAX screen. And it's the culmination of a brilliant first act, which begins with John Williams' triumphant score blasting behind imaginative opening credits and reintroduces a universe created in vintage comic books and best realized by the first two Superman movies in 1978 and 1980.
It also occurs way too early - roughly 30 minutes into this 157-minute marathon - and the picture basically levels off to a steady jog from that point forward. There's a reason roller-coaster designers don't put the biggest drops in the opening stretch of track. Gaining momentum seems easy for Superman Returns. Sustaining it is another story.
The movie still soars, mainly because director Bryan Singer shows immense respect for his source material, a dedication that elevated his two X-Men movies. He follows a blueprint established by the earlier Superman films, Richard Donner's masterful origin story and Richard Lester's adventurous sequel. In the character's cinematic timeline, Singer's story occurs after Superman II but wisely pretends the ill-conceived third and fourth films never happened.
After a five year absence, Superman and his alter-ego Clark Kent have come back to Metropolis to find that the world has moved on. In a sense, everything has changed. Martha Kent (Eva Marie Saint) is widowed. Lane has a steady beau (James Marsden) and a five-year-old son (Tristan Lake Laebu). And yet, some things never change: Free from prison, Luthor recruits another bumbling crew to hatch a land-grab scheme that could sink a massive chunk of North America.
Singer thinks big, and his creative team delivers. The director's budget reportedly ballooned, but it is, for the most part, money well spent. The production design is exquisite. Singer catches breathless aerial shots of Superman soaring through sun-drenched clouds and coal-black space. Metropolis is a fully realized location, not a chintzy cityscape in a studio back lot. Equal attention is paid to the Kent farm, the Fortress of Solitude, and the inner bowels of the Daily Planet.
Top talk revolves around the effects, mainly because they're more important than the cast. Routh is a find, a ringer for Christopher Reeve who has a light comedic touch that's evident in his Clark scenes. Bosworth isn't right for her role. She's squeaky clean in places Lois is programmed to be conniving and career-oriented. Frank Langella is underused as Perry White, Parker Posey is overused as Luthor's right-hand lady, and Marsden is more personable than I can ever remember.
Singer's reverence for Donner's vision damages Returns in one crucial manner - no matter how he is performed (and it's usually for comic relief), Luthor always makes for a terrible on-screen villain. It's wasn't Gene Hackman's fault, and it isn't Spacey's. The actor plays the criminal mastermind with sinister confidence. But Luthor's grand plan sets up an anti-climactic finale that forces the picture to fade out instead of ending on a bang. In between, Superman skips through minor action scenes that fail to measure up with the almighty shuttle rescue.
Yes, this keeps in line with Superman's wholesome legacy. Regular readers of D.C. Comics understand that Kal-El's commitment to truth, justice, and the American way made him a muscular Boy Scout, particularly when compared to Batman, his unofficial counterpart. Despite an ability to bend steel, Superman typically bends to the will of his love interest, Lois. And with a dollop of Kryptonite, enemies can ensure he'll be as tough as a toddler in no time. In this aspect, Returns is extremely faithful to the hero's roots. But after five feature-length films, I think fans are ready to see Superman at full strength. Singer and his crew must be saving it for their sequels.
SUPERMAN History (wikipedia)
Moview Reviews Of Superman Return
Superman (1978 film)
From Wikipedia, the free encyclopedia
(Redirected from Superman (movie))
Jump to: navigation, searchSuperman Directed by Richard Donner
Produced by Ilya Salkind Pierre Spengler Written by Comic Book:
Jerry Siegel Joe Shuster Story: Mario Puzo Screenplay: David Newman
Leslie Newman Robert Benton Mario Puzo Creative Consultant: Tom Mankiewicz
Starring Marlon Brando Gene Hackman Christopher Reeve Ned Beatty
Jackie Cooper Glenn Ford Margot Kidder Valerie Perrine Marc McClure
Jeff East Editing by Stuart Baird Distributed by Warner Bros.
Release date December 15, 1978 Running time 143 min. Country United Kingdom
United States; Language English, Budget $55,000,000
Followed by Superman II (1980) and Superman Returns (2006)
IMDb profile
Superman, also known as Superman: The Movie (as it was called in pre-release advertising), is a superhero film, released by Warner Bros. in 1978, and based on the popular DC Comics character of the same name. It was directed by Richard Donner and executive produced by Ilya Salkind, with music by John Williams.
The movie led to three theatrical sequels: Superman II (1980), Superman III (1983) and Superman IV: The Quest For Peace (1987), as well as several canceled sequel attempts after 1987. Superman and Superman II are treated as a 'vague history' to the 2006 film Superman Returns.
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